"Completed" Songs:


Angryabout

Vocal (By Dave Wesner)

Vocal (By Dave "~BAT~" Ayala)



9-8 about

Vocal (By Dave "Fritz" Ayala)

Vocal (By Dave "Can't Sing" Wesner)

Non-Vocal



Pseudo-Science (Working Title) about



Getaway

Vocal (By Paul Lackey)

Non-Vocal



Just Because

Vocal

Non-Vocal



A Break In The Clouds



Four-Banger



ATEC



LONG0



Abrouhadldl9 about



Walls about



(I'm Not) The Enemy about



The KURGAN about




Incomplete Songs:



Oath of Office



Surrender



???2



Runaway (Working Title) about




Don't get too excited. "Fate's Accomplice" is not some on-the-move young band with a growing following and a great live show. It's one guy with some recording gear and an affection for a type of music, progressive metal, that he'll never have the chops to play for money. I'm that guy. I spend most of my time at work, and hanging out with my wife and two small kids, and as much as I can (which isn't much any more) making music. This isn't all progressive metal. I have descriptions of each of the songs - click on the little "about" buttons to the left. Not that it does you any good right now, but a total redesign of this page is on my lengthy to-do list. Meanwhile, if you have comments, criticism, suggestions - or if you're in the Albuquerque area and want to jam with yet another less-than-professional guitarist, don't hesitate to write me an email (remove the words "DELETE THIS" from the address).



"Completed" Songs

Angry Lyrics

Vocal (by Dave Wesner)

Vocal (by Dave "~BAT~" Ayala)

Korg Trinity, Guitar, Bass, Vocals

"9-8" kinda got the "write a prog-metal epic" thing out of my system for a while, so I wanted my next "serious" song to be more pared-down; dare I say ... simpler? I wanted to do something angry, aggressive, and I'd been thinking how funny it was that I didn't really get pissed about the state of the world until the state of my life became so happy. So that's what I wrote: a song about how being happy has made me so angry about the things in the world I can't fix. As with "9-8," my friend Dave "~BAT~" Ayala, now relocated from Las Vegas to Iowa, helped me out with a beautifully layered vocal track. I was pretty happy with my vocals, too, so I'm putting both versions here for your consideration. Whether you like the song, hate it, or even if you just can't get past its politics, why not let me know what you think?: Send E-Mail.

9-8 Lyrics

Vocal (by Dave "Fritz" Ayala)

Vocal (by Dave "Can't Sing" Wesner)

Non-vocal

Korg Trinity, Guitar, Bass, Vocals

Here's the song that had me plugging away from the fall of 2001 until I finally finished it in the spring of 2003. My friend Dave "Fritz" Ayala helped out on vocals, for which you'll be grateful. Heavy in (several) spots, varied, complex, LONG (over 9 minutes) - everything I've always wanted to write. And it only took me a year and a half! Like it? Hate it? Let me know: Send E-Mail.



Pseudo-Science (Working Title)

Korg Trinity, Guitar, Bass

I worked on this song for almost the entirety of 2000, and made this, my first MP3 of it, on December 31. I guess I'd call it progressive metal - it has heaviness, odd time signatures and keyboards. I'd like to write some lyrics - I left room for some, but to this day I still have no idea what it's about. Any ideas? Drop me a line!



Getaway Lyrics

Vocal (by Paul Lackey)

Non-Vocal

Korg Trinity, Guitar, Bass, Guest vocals

As I mentioned, the vocals here were done by my friend Paul Lackey from the Epigram For The Last Straw Mailing List. He did a great job, proving that my music really can be compatible with singing, provided the singing isn't mine. Musically it's another progressive metal piece for the most part. Lyrically, well, let's call it an allegory.



Just Because Lyrics

Vocal

Non-Vocal

Korg Trinity, Guitar, Bass, Vocals

This is one of my older prog-metal songs, written in about 1992, then re-recorded in the late '90s to take advantage of some much-better equipment I'd acquired. The performances aren't as good as the original, but the sound is okay. the lyrics are based on one of my brother-in-law's favorite phrases: "Just because you're paranoid doesn't mean they're not out to get you."



A Break In The Clouds

Ensoniq ESQ-1, Kawai K-1 II, Guitar, Bass

This is definitely not metal - it's an attempt at sounding like I understand jazz. I'm currently working on re-recording it on that new, better equipment now at my disposal, 'cause I really like the song, but I'm a little hung up on the horn arrangements. Seems you actually have to know what you're doing to arrange a horn section properly. Who knew? This is an older recording, then, and for some reason the unsophisticated horns of my old Kawai K-1 II seem to work just fine.



Four-Banger

Korg Trinity

I wrote this to submit to the Trinity Haven website when the Korg Trinity Mailing List was an active and beautiful thing (R.I.P., KTML). The 'Haven called it "a nice mix of techno and jazz influences." That works for me.



ATEC

Korg Trinity

I've long had the practice of doing songs in genres I didn't really like or respect, for the sole purpose of being able to say, "that stuff is easy! Look - I did a song like that in a couple of hours. Here is my version of a "techno" song. It's not really perfectly in that style, but incorporates some of the sounds. In spite of myself, I rather like it.



LONG0

Ensoniq ESQ-1, Kawai K-1 II

I used to co-own a used video game store. My business partner was an amateur computer animator, so we got the idea that we'd make these in-store demo videos of the latest games. He'd do the graphics, I'd do the music. I did my part, and he - well, I don't talk much about him. This is electronic music, groovy, kinda cool - at least I think so. The name derives from the Ensoniq ESQ1's song naming conventions. A new song is automatically named "SONG01" by default. I wanted to make a long song, so as a placeholder title, I just replaced the "S" with an "L." Eventually the "1" got dropped, and here we are.



Abrouhadldl9

Ensoniq ESQ-1, Kawai K-1 II, Alesis HR-16, Guitar, Bass

First of all, that's a "schwa" symbol at the end of the song name - I just used a lower-case "9" 'cause I couldn't find ascii code for the real schwa. It's pronounced "Ob-roo-hod-ld-luh." It means, "that proggy, not-too-heavy-not-too-wimpy instrumental I wrote in 1994 and only recently converted to digital form." It's one of my favorite of my songs, and is a complete blast to play.



Walls Lyrics

Ensoniq ESQ-1, Kawai K-1 II, Alesis HR-16, Guitar, Bass, Vocals

I wrote and recorded this in about 1993, and, 11 years later, brought the 4 tracks off of cassette into the computer for a (partially-successful) clean-up. It's another one of my "can't we all just get along?" songs, this time questioning the reluctance of various groups to join society, instead of just existing within it. Whatever. So I was an idealist in 1993. More importantly, it's sort of a middle-of-the-road "rock" song with an interesting keyboard riff, a nice solo, and a horrible drum mix, un-fixable for a number of really boring reasons. There's only a non-vocal mix for now (with keyboard holding down the vocal melody) - a vocal mix will follow once I (a) clean up my own awful vocals, or (b) hoodwink some well-meaning individual into providing something better.



(I'm Not) The Enemy Lyrics

Ensoniq ESQ-1, Kawai K-1 II, Alesis HR-16, Guitar, Bass, Vocals

Another in my series of early '90s race-relations songs. This one tried to combine a "white" style (metal) with a "black" style (rap), presaging by a good bit the "rap-metal" movement I now find myself loathing. Judging by people's reactions, I was well ahead of my time, since 'most everyone I know loathes this song, but I still like it (not least because it's a nitro-charged BLAST to play). It's also my favorite set of my lyrics (complete with "hidden" homages to a few of my favorite bands, just for the hell of it).



The KURGAN Lyrics

Korg Trinity, Guitar, Bass, Vocals

This one's a little hard to explain. I'm on a few progressive metal e-mail lists, where some people post under made-up identities. One such person posts as "The Kurgan" (I'm convinced it's a female, but the persona is male). (S)He challenged me to write a song called "The Kurgan," and to include at least some death-metal grunty vocals. Never one to shrink from a challenge, however silly, I put this together during the fall and winter of 2004. It's abstract, heavy, fun to play, and probably a bit better than it has any conceivable right to be (at least The Kurgan liked it...).




Incomplete Songs

Oath of Office Lyrics

Korg Trinity, Guitar, Bass

I wrote this during the 1992 Presidential campaign. It's kinda heavy and a little proggy, but a bit simpler than I prefer nowadays. A friend of mine wanted to come to town and do vocals for it a coupla summers ago, so I dusted it off and re-recorded it on my way-better-than-I-had-in-1992 gear. The result sounds *WAY* better to these ears than the original, and will fare even better one day when my friend and I finally hook up to save it from my vocals (this version has none - I can't bring myself to record any).



Surrender Lyrics

Korg Trinity, Guitar, Bass, Guest vocals

Back in '95, I wrote a really sappy love song to perform at my wedding reception. I played it for my fiancee, who stared blankly for a minute and finally concluded, "it sounds like the theme from Doogie Howser, M.D." Fine, I thought. You don't want a sappy love song? I'll write a dirty, exploitative sex song. A few months later I had "Surrender." It's one of her favorite of my songs. A friend of mine said he'd like to take a shot at the vocals, so I dusted it off, and re-recorded it. My friend laid down some incredible vocals at his home in Las Vegas, NV, and sent them to me on CD. Unfortunately, I just realized I don't have the vocal version on the server, or here at work where I'm writing this, so for now, you're stuck with the non-vocal version.



???2

Korg Trinity

Not long after getting the Trinity, I found my well of ideas drying up. I thought it might help to do a little creativity exercise. I'd come up with a song idea - any idea, good or not, for each day of a week. Day One turned into "Four Banger" (original title: "???"), and this was, I believe, Day Three. It's similar to "Four-Banger" in many ways - the jazz influence, the almost-danceable beat, but I could never really make it go much of anywhere. A couple years later I dusted it off and brought it to a close, but I can't bring myself to call it "finished." It's short, it's listenable - it's probably worth the brief download.



Runaway (Working Title) Lyrics

Korg Trinity, Guitar, Bass, Vocals

I still can't make up my mind about this one. It could only honestly be called "rap-metal," but it predates the current "nu-metal" rappy stuff by a few years (it's circa 1997). It practically wrote itself up to the point where it abruptly ends, and try as I might (which is, admittedly, not very hard), I can't seem to take it anywhere from there. Another problem is that this song uses a detuned guitar, so any time I want to work on it, I have to spend about a half a day tuning and retuning my guitar, and adjusting everything else that that entails. Maybe one day I'll get back around to it, but don't hold your breath. For now, here it is, as is, and as it likely will ever be.